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As advocates for the sex without boundaries movement ourselves—from eschewing the bi or gay label to anything-goes sex parties—we wanted to chat to Dan Levy and find out how this watershed moment of Canadian television and sexual diversity on-screen came to be. The more that we started exploring David and delving into his past, and what his whole life had been prior to when the show starts, it just felt like an interesting fit for him. We wanted to approach it from a way that was very sort of normal, and by that I mean that the family was aware of it, they had been for a while.

I just kept telling myself: this is a person who has spent his entire life being someone else.

And that he’s constructed an interesting, artistic guy that no one is really buying except for himself.

I think that what we really found interesting about the Stevie dynamic is the question of what happens to a person who is so aware of who they are, of what they’re projecting?

What happens to that person if they meet someone who they really are in tune with emotionally?

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